The Music of Matter

The principles of harmonics, well-known to the musician, are the very principles that govern the laws of physics. All octaves of energy, whether within the range of human investigation or beyond it, are the same. Each octave varies from the next only in scale and the amount of energy required to sustain the oscillation.

The chart below reflects 100 octaves beginning from 1 cycle per second all the way up through 1,267,650,600,228,229,401,496,703,205,376 Hz (or a million billion billion cycles per second).

I have not tuned my chart to Standard Pitch where A = 440Hz. I have instead used Scientific Pitch (also known as Philosophical Pitch) where Middle C = 256 Hz and where A = 426.|6| Hz. I have noticed that some people add the closed cycle 6 to the open cycle portion and call this, erroneously, A = 432Hz.

I have shifted down from Standard pitch because the mathematics underlying Scientific Pitch are perfectly aligned with Foundational Mathematics while Standard Pitch produces many irrational values suggesting a kind of dissonance or lack of alignment with the fractality of the Conscious Field itself.

In high octaves of light, far higher then Gamma Rays, light condenses into the 10 Octaves of Matter. For more about this topic, see my earlier writing:
http://www.alexpetty.com/2014/09/21/the-periodic-table-of-light/

Beyond the Octaves of Matter begin the Octaves of Lower Astral Light. This point in the energy scale marks the borderline between human spirituality and western science.

“As above, so below”. As the vibrations of light oscillate to ever higher rates, light extends further and further into subtler levels of the conscious field, which is to say that it extends into ever higher vibrations of universal consciousness.

The Golden Ratio Long Division and Euclid’s Lemma 360 Point Vortex Coil using only 120 Guide Pins
View Comments
  • Interesting. I also came to a similar conclusion. I was skeptical that since “1 second” is just a random division of time I thought it would not be auspicious (I was wrong) so I checked a bunch of parameters for both 440 hz and 432 hz and discovered that 432 is a highly composite number (like 360). Starting low you have 14 integer* factors below fifty can multiply up to produce 432; yet the number 440 has not a single whole integer factor below 50! Also the only factor that isn’t some recurring irrational looking number is it’s square root: 27.5 ^ 2 = 440. Compare this with 432 which has a whopping 14 factors in the full list at bottom of this article but they* are: 1, 2, 3, 4, 5, 6, 8, 9, 12, 16, 18, 24, 27, 36, 48.

    Even the number 27 (square) is a common factor. Although pythagoras is the source of the prime number here (genius) he was wrong about the temperament, his ratios look nice but sound garbage. A semi-tone is a twelfth root of 2, and thus stays perfectly in tune up the whole keyboard, try multiply 27 hz by 1.0594630943592952646 for all 72 keys and the last note should be close to 6 octaves up at 1,728 hz.

    https://www.funk.co.nz/blog/science/mathematical-solution-432-vs-440